"Punk rock is just another word for freedom."
- Patti Smith -

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Based on the novel by Glen Matlock, a founding member of the Sex Pistols and co-writer of ten of the twelve iconic songs on their sole studio album, 'NEVER MIND THE BOLLOCKS'. Matlock details the mindset of early 70s Britain and reveals a trove of secrets

PUNK

A four-part American documentary series. Each episode focuses on a different era, from the protopunk movement of the '60s to the present day, providing a comprehensive overview of the evolution and impact of punk. The series not only showcases the musical revolution but also the rebellious spirit and creative energy that inspired generations and continues to have a tangible effect on pop culture.

THE GODFATHERS OF HARDCORE

The Godfathers of Hardcore explores the story of Roger Miret and Vinnie Stigma, defining figures of hardcore punk – offering a glimpse into how they shaped the music scene at the forefront of Agnostic Front.

RUDEBOY - THE STORY OF TROJAN RECORDS

The film RUDEBOY presents the story of the legendary Trojan Records with archive footage, interviews, and narrative elements, showcasing a key player in the cultural revolution on British dancefloors in the late '60s and early '70s.

GO AGAINST THE FLOW

Late seventies, Poland. In a backwater town, Ustrzyki Dolne, a few teenagers form a punk rock band under the influence of the Sex Pistols. When Radio Free Europe starts a program for them following their letter, the communist secret service also takes notice of their rebellion. An officer makes it clear to them: Ustrzyki Dolne is not London, there will be no punk here.

Story of Crass

George Berger

3.94/5 (Goodreads)

Publisher:

PM Press

Release Year:

2006

Language:

English

Pages:

304

Buy Link:

Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world’s press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon. Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews.