"Punk's not dead. It's just sleeping. It'll wake up when it's really needed." - Jello Biafra -

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A documentary that covers the history of the political punk band Anti-Flag. The film features interviews with famous musicians such as Tom Morello, Billy Bragg, Tim McIlrath, and Brian Baker. The documentary shows the challenges and difficulties faced by those who play political music and dedicate their lives to activism.

PUNK

A four-part American documentary series. Each episode focuses on a different era, from the protopunk movement of the '60s to the present day, providing a comprehensive overview of the evolution and impact of punk. The series not only showcases the musical revolution but also the rebellious spirit and creative energy that inspired generations and continues to have a tangible effect on pop culture.

THE GODFATHERS OF HARDCORE

The Godfathers of Hardcore explores the story of Roger Miret and Vinnie Stigma, defining figures of hardcore punk – offering a glimpse into how they shaped the music scene at the forefront of Agnostic Front.

RUDEBOY - THE STORY OF TROJAN RECORDS

The film RUDEBOY presents the story of the legendary Trojan Records with archive footage, interviews, and narrative elements, showcasing a key player in the cultural revolution on British dancefloors in the late '60s and early '70s.

THE ALLINS

In 1993, GG Allin died of a heroin overdose at just 37 years old – his death became a myth, just like his life. Award-winning director Sami Saif's documentary, THE ALLINS, offers a loving and entertaining glimpse into the daily lives of the controversial singer's family, while shedding new light on the punk icon's legacy.

In Heaven There Is No Beer

2012

Documentary

7.9/10 (IMDb)

Director:

David Palamaro

Writer:

David Palamaro

Length:

88 min

Language:

English

Cast:

Bang Sugar Bang, Carla Betz, Chris Black, King Cheetah

The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.