"A lot of people thought punk style was about mohawks, safety pins, and nihilism, but it wasn't. It was about freedom and expressing it. I think that was one of the things that drew me to the punk movement."
- Don Letts -

News Movies Books Blog Forum Map

40 YEARS OF FUCKIN' UP

A brutally honest documentary chronicling four decades of NOFX’s career, exploring the music, chaos, and contradictions behind one of punk rock’s most outspoken bands. Through firsthand accounts and unseen moments, the film reveals a story that is as reckless and funny as it is personal.

I WAS A TEENAGE SEX PISTOL

Based on the novel by Glen Matlock, a founding member of the Sex Pistols and co-writer of ten of the twelve iconic songs on their sole studio album, 'NEVER MIND THE BOLLOCKS'. Matlock details the mindset of early 70s Britain and reveals a trove of secrets

PUNK UNDER COMMUNIST REGIME

Documentary about the Slovenian punk movement (1977–1985): the rebellion of high school bands against the Yugoslav communist regime. As Tito was dying, an explosive counterculture emerged in Ljubljana, which the authorities tried to crush through repression and the infamous “Nazi punk affair”.

...AND OUT COMES THE WOLF

A group of youths band together to break out of their hopeless small town. The story is inspired by Rancid and the '90s East Bay punk scene.

GO AGAINST THE FLOW

Late seventies, Poland. In a backwater town, Ustrzyki Dolne, a few teenagers form a punk rock band under the influence of the Sex Pistols. When Radio Free Europe starts a program for them following their letter, the communist secret service also takes notice of their rebellion. An officer makes it clear to them: Ustrzyki Dolne is not London, there will be no punk here.

In Heaven There Is No Beer

2012

Documentary

7.9/10 (IMDb)

Director:

David Palamaro

Writer:

David Palamaro

Length:

88 min

Language:

English

Cast:

Bang Sugar Bang, Carla Betz, Chris Black, King Cheetah

The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.